Overview
FrançaisABSTRACT
The multichannel sound, which allows for a complete immersion into a sound space is definitely complementary to the HDTV. Very close to the cinema sound reproduction, it includes two equally important objectives dedicated to sound reproduction: localization and envelopment. After providing a brief history of listening formats, this article focuses on the numerous characteristics of multichannel listening. It then presents the issues concerning the identification of channels, indications of level and phase as well as those regarding compression formats for the reduction of multichannel audio frequency.
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Read the articleAUTHOR
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Bernard FOUQUET: Sound engineer - Trainer in digital audio techniques at the Institut National de l'Audiovisuel (Ina SUP)
INTRODUCTION
High-definition (HD) images are now available on television: HDTV (high-definition television). Initiated in analog form in the mid-1980s by the Japanese, then by the Europeans, HDTV was temporarily abandoned and only really revived with the digital television project in the United States. This process led to international standards in the mid-1990s.
This dossier not only updates the
the first part concerns formats. The first document,
, describes the native parameters of images produced by HDTV and the corresponding standards. The following document[TE 5 680] details the compression formats used to reduce the bit rate of HD digital video, making it possible to capture, transport, store, transmit and receive HD images in the world of television. It also presents the problem of encapsulating HD images in data file container or transport formats;[TE 5 681] a second part, consisting of the three documents, will explain the main functions, from camera lens glass to flat screen glass (from glass to glass), of capturing/recording, editing
, broadcasting and distribution[TE 5 682] , displaying and evaluating the quality of HD images[TE 5 683] ...[TE 5 684]
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High-definition television (HDTV)
Bibliography
Standards and norms
- Standard for digital audio engineering – Serial transmission format for two-channel linearly represented digital audio data (Revision of AES3-1992, including subsequent amendments) + AES3-Am5-2008 + AES3-Am.6-2008 - AES3-2003 -
- Recommended Practice for Digital Audio Engineering – Serial Multichannel Audio Digital Interface (MADI) (Revision of AES10-1991) - AES10-2008 -
- Standard for digital audio engineering...
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Dolby https://www.dolby.com/
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