Overview
FrançaisABSTRACT
Television has been offering high definition (HD) for several decades and is thus halfway between SD video and digital cinema. The standardized parameters at the origin of black and white and color television (luminance/chrominance components, chrominance sub-sampling, analysis/interlaced display, etc.) are therefore complemented by parameters from the computing sector (analysis/progressive display) and the film industry (24 images/s). This article deals with native formats and parameters from digital video, as well as with the corresponding standards and conversions.
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Read the articleAUTHORS
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Jacques GAUDIN: Graduate of the École nationale supérieure Louis Lumière - Head of the Image program at the Institut national de l'audiovisuel (Ina SUP)
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Jean-Noël GOUYET: Training engineer in digital television and multimedia techniques and systems - Former researcher at Ina's Research Department
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Francis MAHIEU: Trainer in digital video techniques at Ina SUP
INTRODUCTION
High-definition (HD) images are now available on television: HDTV (high-definition television). Initiated in analog form in the mid-1980s by the Japanese, then by the Europeans, and temporarily abandoned, HDTV was not really revived until the digital television project in the United States. This process led to international standards in the mid-1990s.
This dossier not only updates the
the first part deals with formats. This 1 er document [TE 5 680] describes the native parameters of images produced by HDTV and the corresponding standards. The following document
details the compression formats used to reduce the bit rate of HD digital video, making it possible to capture, transport, store, transmit and receive HD images in the world of television. It also presents the problem of encapsulating HD images in data file container or transport formats;[TE 5 681] Part 2, consisting of three documents, will explain the main functions of capturing/recording, editing
, broadcasting and distribution[TE 5 682] , displaying and evaluating the quality of HD images[TE 5 683] , "from glass to glass", from the glass of the camera lens to the glass of the flat screen;[TE 5 684] Part 3 will highlight an important component of HDTV: multichannel sound
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High-definition television (HDTV)
Bibliography
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(1) - AVID -
Understanding HD guide.
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Avid (2006)
http://www.avid.com/resources/Understanding_HD.zip
. An A-Z guide to terms for high definition television editing and post production. Edited by PANK (B.), Avid (2002)
Standards and norms
- Document A/53 Part 4-2009 - ATSC - 08-09
- Digital television standard: Part 4 – MPEG-2 Video system characteristics http://www.atsc.org/standards/a53/a_53-Part-4-2009.pdf - ATSC -
- Digital cinema" cinemas http://www.cst.fr/IMG/pdf/cst-rt-002-p-2001.pdf - CST-RT-002-P-2001 -
- Digital cinema system specification v1.2 http://www.dcimovies.com/DCIDigitalCinemaSystemSpecv1_2.pdf - Digital cinema Initiatives,...
Directory
Organizations – Federations – Associations (non-exhaustive list)
ATSC (Advanced Television Systems Committee) http://www.atsc.org/
DCI (Digital Cinema Initiatives LLC) http://www.dcimovies.com/
EBU (European Broadcasting Union)...
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