Article | REF: TE5366 V1

Digital media: Compressed audio/photo/video formats

Author: Jean-Noël GOUYET

Publication date: February 10, 2017, Review date: January 1, 2024

You do not have access to this resource.
Click here to request your free trial access!

Already subscribed? Log in!


Overview

Français

ABSTRACT

This article describes the digital “compressed” format into which are converted sounds and pictures, after the first step of digitization generating their “digital native format”, representing the results of the measurements of sounds or pictures. The objective of the digital compression process is to reduce the number of binary digits in this native format. This reduction is based on the analysis of redundant information perceived by our senses. However, when badly adjusted, this process can generate artefacts in the reproduced sounds or pictures. This article describes basic principles, tools used, and the parameters to take into account for each medium.

Read this article from a comprehensive knowledge base, updated and supplemented with articles reviewed by scientific committees.

Read the article

AUTHOR

  • Jean-Noël GOUYET: Digital Media Engineering and Management - Former head of research at the Institut national de l'audiovisuel (Ina)

 INTRODUCTION

Professionals and private individuals alike have to produce, manipulate, store, manage, exchange, broadcast and distribute digital media "encoded" in various formats, called "essence" formats, and encapsulated in extremely numerous and varied storage and transport "container formats".

This "Panorama of digital media" dossier, comprising six articles, aims to provide a definition, description of the characteristics, mapping and classification of these different digital media formats.

The first article [TE 5 364] details the parameters of the "digital native format", which is the result of a discontinuous, coded measurement of the amplitude of continuous, proportional analog quantities generated by sound or image recording equipment.

This second article [TE 5 366] presents an overview of digital, audio, still image and video compression formats that reduce the amount of data in native formats, making them easier to store and distribute.

The third article [TE 5 368] introduces the characteristics of container formats for encapsulating audio, still images or video, either in native format or in compression format.

The fourth article [TE 5 369] describes container formats dedicated to media storage, in particular around fifty file formats, among the most widely used in the media and audiovisual world, as well as some recording formats on optical or magnetic media.

The fifth article [TE 5 370] describes container-formats dedicated to different modes of digital media transport, as well as meta-container-formats....

You do not have access to this resource.

Exclusive to subscribers. 97% yet to be discovered!

You do not have access to this resource.
Click here to request your free trial access!

Already subscribed? Log in!


The Ultimate Scientific and Technical Reference

A Comprehensive Knowledge Base, with over 1,200 authors and 100 scientific advisors
+ More than 10,000 articles and 1,000 how-to sheets, over 800 new or updated articles every year
From design to prototyping, right through to industrialization, the reference for securing the development of your industrial projects

KEYWORDS

Redundancy   |   digital media   |   compression format


This article is included in

Signal processing and its applications

This offer includes:

Knowledge Base

Updated and enriched with articles validated by our scientific committees

Services

A set of exclusive tools to complement the resources

Practical Path

Operational and didactic, to guarantee the acquisition of transversal skills

Doc & Quiz

Interactive articles with quizzes, for constructive reading

Subscribe now!

Ongoing reading
Panorama of digital media
Outline