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8. Conclusion
This article has described the parameters to be taken into account when digitizing audio, still images and video or digital cinema. But a look at the digital balance sheet in the last paragraph (§ 7 ) shows that, in particular, digitized moving images generate a very large amount of data, and increasingly so (from SD video to UHD video, for example), which justifies the development of compression formats
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Conclusion
Bibliography
- (1) - EBU/SMPTE - Task Force for harmonized standards for the exchange of programme material as bitstreams – Final Report - , août 1998 https://tech.ebu.ch/docs/techreview/ ebu-smpte-tf-bitstreams.pdf
- ...
Standards and norms
- AES standard for digital audio – Digital input-output interfacing – Serial transmission format for two-channel linearly-represented digital audio data - AES3-2009 - 2014
- AES recommended practice for professional digital audio – Preferred sampling frequencies for applications employing pulse-code modulation - AES5-2008 - 2013
- Digital Cinema System Specification v1.2 http://dcimovies.com/specification/DCI_DCSS_v12_with_errata_2012-1010.pdf...
Directory
Organizations – Federations – Associations (non-exhaustive list)
ATSC (Advanced Television Systems Committee ) http://www.atsc.org/
DCI (Digital Cinema Initiatives LLC ) http://www.dcimovies.com/
EBU (European Broadcasting Union )...
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