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2. Native analog formats
Upstream of a digital media chain, any equipment for capturing sounds (microphone), moving images (camera) or still images (still camera), will transform what is perceived into information, in an analog format.
2.1 Features
A native analog format (figure 2 and ) is :
the continuous and proportional representation of information (acoustic or light intensity, for example) received by a sensor-transducer...
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Native analog formats
Principle of digital representation (coding)
Bibliography
- (1) - EBU/SMPTE - Task Force for harmonized standards for the exchange of programme material as bitstreams – Final Report - , août 1998 https://tech.ebu.ch/docs/techreview/ ebu-smpte-tf-bitstreams.pdf
- ...
Standards and norms
- AES standard for digital audio – Digital input-output interfacing – Serial transmission format for two-channel linearly-represented digital audio data - AES3-2009 - 2014
- AES recommended practice for professional digital audio – Preferred sampling frequencies for applications employing pulse-code modulation - AES5-2008 - 2013
- Digital Cinema System Specification v1.2 http://dcimovies.com/specification/DCI_DCSS_v12_with_errata_2012-1010.pdf...
Directory
Organizations – Federations – Associations (non-exhaustive list)
ATSC (Advanced Television Systems Committee ) http://www.atsc.org/
DCI (Digital Cinema Initiatives LLC ) http://www.dcimovies.com/
EBU (European Broadcasting Union )...
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